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Inside the model shop at the Leslieville office of Hariri Pontarini Architects (HPA) is a whole world in miniature. Downsized renditions of the firm’s greatest hits – the wavy condo tower at One Bloor, the shell-like Bahá’í Temple in Chile – rest like trophies alongside newer works-in-progress awaiting the superglue treatment. This, evidently, is a firm that builds things.
Where many studios now focus on digital modelling, HPA keeps wood and foam core front and centre. In fact, after relocating its headquarters to Carlaw Avenue last year, the firm seized the opportunity to expand upon their former model studio. Their new 74-square-metre fabrication setup combines two rooms: a serene assembly space and, through a pair of swinging doors, an industrial wood shop that hums with the sound of a band saw, sanders and drill presses.
A team of six are dedicated to the maquettes full-time. It is up to them – “architects, not just model makers” clarifies co-founding principal Siamak Hariri (above, at right) – to translate designs from drawings or renderings, and to explore and refine them, too. “Sketches, models and computer imagery need to complement and inform each other. Tactility and atmosphere are not easily checked unless you make a model.”
While HPA was developing its designs for the Tom Patterson Theatre in Stratford, Ontario, for instance, it created a model to fine-tune the performance hall’s sense of intimacy. This structure (shown above), a section of the venue seating area assembled at 1:25 scale in walnut and bronze, followed several more abstract miniatures that explored the building’s early form. In turn, other models built later and at larger scales helped to revise construction details related to the theatre’s curved glass facade and its connection to the Avon River.
“Clients respond more now to 3D visualizations and films,” Hariri admits. “But as a firm, we still need maquettes to surprise us, and to help take us to the next step.” In other words, at HPA, they’re still a proven model for success.
Originally published in our Small Spaces, Smart Solutions 2019 issue as Touring the Tiny Wonders Under Construction at Hariri Pontarini Architects.
See HPA’s model shop during Doors Open Toronto, May 25 and 26. doorsopenontario.on.ca
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1 Full Tilt Transport your patio guests to the beaches of Saint-Tropez in an instant with a retro black and white striped umbrella that is height-adjustable. Shadow Round Umbrella, $450, at CB2.
2 Terracotta Warrior Every balcony needs this aluminum planter from Montreal’s Allstudio - the perfect way to accessorize your outdoor furniture looks. The acrylic drip tray means you can plant directly in the pot without compromising root health. Nymphea 5, $165, at allstudio.co
3 Basket Weave Woven from sturdy outdoor wicker, this textured side table comes with a practical tempered glass top that complements its multi-coloured base. Choose from red, blue or black weaves.Casablanca Side Table, $695, at ARD Outdoor.
4 Park People With a sculpted mid-century era design that evokes wicker furniture, it’s no wonder this handcrafted iron wire mesh bench is making a comeback today. Sculptura Bench, $1195, at Design Within Reach.
5 Cushy Throne The vibrant mix of colours in this armchair by American industrial designer Stephen Burks reflects his transatlantic collaboration with iconic French furniture brand Roche Bobois. Traveller Armchair, Call for pricing, at Roche Bobois.
6 BBQ Buddy This elegant aluminum trolley makes outdoor entertaining easy, especially with a built-in storage box for ferrying hamburger condiments onto the patio. Kettal trolley, Call for pricing, at Studio B.
[post_title] => 6 Outdoor Pieces for Summer We're Excited About [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => outdoor-furniture-summer-2019 [to_ping] => [pinged] => https://designlinesmagazine.com/where/ard-outdoor/ [post_modified] => 2019-05-21 16:27:29 [post_modified_gmt] => 2019-05-21 20:27:29 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=41885 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [6] => WP_Post Object ( [ID] => 41957 [post_author] => 13 [post_date] => 2019-05-21 09:00:46 [post_date_gmt] => 2019-05-21 13:00:46 [post_content] =>Imagine a romantic walk down a pier on a summer’s eve – in your own backyard. Joel Loblaw’s landscape studio crafted just that for a Summerhill home, with its clever transformation of an expired in-ground pool into a tranquil cottage escape. A knotty cedar “boardwalk” passes over the concrete foundations of the pool, now veiled in ground-cover plants and scattered boulders that recall the rugged textures of the Canadian Shield.
Flanked with thickets of under-lit hydrangea, dwarf Korean lilac, dogwood and serviceberry, the walkway leads to a comfortable outdoor room defined by cedar slat walls. The lantern-like lounge is illuminated by a frosted glass prism at its centre, which acts as both a usable surface and the hearth of the garden. Like a peaceful rural dock, the urban wooden platform is as well suited to mornings with a good book as to chatty nights with friends and Caesars.
Originally published in our Small Spaces 2019 issue as Joel Loblaw. Read our profile of the landscaping firm here.
[post_title] => A Floating Pier Transforms a Summerhill Garden [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => joel-loblaw-summerhill-pier [to_ping] => [pinged] => [post_modified] => 2019-05-21 16:26:48 [post_modified_gmt] => 2019-05-21 20:26:48 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=41957 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [7] => WP_Post Object ( [ID] => 41844 [post_author] => 13 [post_date] => 2019-05-15 09:04:11 [post_date_gmt] => 2019-05-15 13:04:11 [post_content] =>Ingrid and Nesmith Chingcuanco aren’t the type to fret about a wall colour or agonize over a dozen sofas before settling. Function is the couple’s shared desire in a home. So after buying their first condo, they arrived at their new Bay Street high-rise with nothing but a mattress.
As a pre-reno exercise, the couple ghost-lived in the unit for three weeks (they still had their old place), searching for the places where their elbows knocked and the floorplan failed. It’s how they determined the master shower was too tight, the third bathroom’s inner self was clearly a laundry room, and the crowded eat-in kitchen would definitely need to open up.
Faced with mismatched flooring, French doors and turn-of-the-millennium lighting, the couple found themselves dreaming of a calm aesthetic and an honesty of materials – a holistic space in which everything from lighting to a place to put your keys was thoughtfully networked.
[caption id="attachment_41853" align="alignnone" width="1300"]
Millwork (all by Caledon Woodworks) in the foyer stretches 6.5 metres, concealing closets and a powder room.[/caption]
Enter Michael Taylor of Taylor Smyth Architects, who took one look at the non-load-bearing partition walls and popcorn ceilings and said “Scale it all back.” Beneath them, wide structural columns and bare concrete slab awaited, joining the wall-to-wall windows to create the perfect minimalist palette.
[caption id="attachment_41851" align="alignnone" width="1300"]
Off the foyer, the ceiling in the kitchen – demarcated by the Caesartone-topped island, stainless steel backsplash and raw concrete columns – soars to three metres. Range and hood by Miele; bar stools from Torp Inc.[/caption]
In the space’s new incarnation, panels of oak bring warm contrast to the condo’s industrial concrete. Wrapping walls and ceiling, the custom millwork imparts a sandy glow to the once-dark corridor that leads to the core of the now one-bedroom (plus den) unit. The hallway becomes open and functional, hiding closets, storage and the powder room. In the living room, a second oak envelope unites the entertainment unit and ceiling, with a special intervention above the dining table: a row of planks and voids that poetically defines the space as its own.
The two structures have a dialogue of scales with one another. As you walk in, the wrapped ceiling is slightly more intimate. Coming into the living room, where it’s higher, there’s a sense of release.” — Michael Taylor
More warmth is sneakily supplied by recessed perimeter lighting throughout, lending a lovely evening incandescence and accenting the track lighting built into the oak panels. Barely-there fixtures in the office and above the dining table complete the strategy. “One approach is to do something that’s a real feature above the table,” says Taylor. “But that would detract from the unity of the space. We went with something very minimal, the same aesthetic as everything else.”
[caption id="attachment_41852" align="alignnone" width="1300"]
To create intimacy in the dining room, the ceiling was lowered to 2.8 metres. Custom entertainment unit by Caledon Woodworks; table and chairs from Torp Inc.; bar stools from Kiosk.[/caption]
And challenging the assumption that galley kitchens are cramped, a two-sided breakfast bar and parallel countertops are separated by what Taylor calls a “critical dimension” – allowing team cooking, spectatorship and room to mingle during a party.
[caption id="attachment_41849" align="alignnone" width="1300"]
A custom white oak unit in the master bedroom houses a platform bed with two nightstands. European white oak flooring throughout from Stone Tile.[/caption]
[caption id="attachment_41854" align="alignnone" width="1300"]
In the master bath, walls are clad with mosaic tile from Ciot. The floating, illuminated white oak vanity is topped with Corian; faucets from Ginger’s.[/caption]
As a redesign, it’s proof that 116 square metres can work as hard, functionally, as a storeyed home – with the right vision. Low-to-the-ground furnishings and select artworks round out the space: a splash of colour here, a hit of texture there. But generally, it’s the architecture that shines. As Taylor notes, “It’s a space that speaks for itself – you don’t need a lot of embellishments.”
Originally published in our Small Spaces, Smart Solutions 2019 issue as Know Your Angles.
[post_title] => A Bay Street Condo Rescued from the Mid-2000s Blahs [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-bay-street-condo-rescued-from-the-mid-2000s-blahs [to_ping] => [pinged] => [post_modified] => 2019-05-15 09:18:53 [post_modified_gmt] => 2019-05-15 13:18:53 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=41844 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [8] => WP_Post Object ( [ID] => 42731 [post_author] => 19 [post_date] => 2019-05-13 11:25:45 [post_date_gmt] => 2019-05-13 15:25:45 [post_content] => These week-long summer camps at the Daniels Faculty of Architecture, Landscape and Design introduce kids to the world of design. The camps ask: how might drones, a disruptive technology, change the urban landscape of the future? To get an answer, camp-goers aged 9-11 years old will have the chance to fly drones through model cities made from scratch.
In addition to city building, participants will also take a Flying Ball Drone and a Makeblock Airblock drone home with them at the end of the programs, as well as their own laser cut keychain. But the day camps don'y just focus on design, they also include physical activities and team building fun. Parents are invited to see their mini-designer's achievements at end-of-week showcases.
For more information about summer camp programming at 1 Spadina Crescent, visit Daniels Bits & Bites.
Dates: Session 1: Monday July 8 to Friday, July 12, 2019; Session 2: Monday July 15 to Friday, July 19, 2019
[post_title] => "Drones in the City" Summer Camp Takes Off at Daniels
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[post_content] => Designer Patricia Urquiola was drawn to the warmth and malleability of felt -- but wasn't enamoured with its manufacturing heritage. With Nuance, her all-felt collection for Gan, she uses discarded recycled fibres to achieve a stone-like look. The collection features three rug designs - Curve, Line, Round - and a puff. These can be combined to create unique architectural formations that look remarkably similar to concrete or terrazzo.
[post_title] => Patricia Urquiola Creates Stone-Like Textiles for GAN
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[post_content] => Black Matte Finishes
While white and light-toned kitchens remain the default choice for many, a luxe black matte finish offers a daring – yet tactfully subdued – presence. Sophisticated and stylish, darker hues create a enticingly bold presence, while matte finishes lend a sense of tactile simplicity to the space.
Easily paired with a variety of hues and finishes – as well as stone pieces – a darker colour palette also allows for playful moments of high contrast, elegantly framing lighter elements. The sleek simplicity of black matte finishes creates a fresh yet timelessly modern look that makes the kitchen a highlight of any home.
Wood Tones
In recent decades, wood finishes were associated with faux-traditional kitchens and tired 1970s aesthetics. No longer. Contemporary wood finishes from Trevisana Kitchens offer an ambiance of warmth and comfort, all while maintaining an appealingly clean, modern look.
Amidst the sleek and sanitized finishes that dominate contemporary kitchens, the rich grain of wood always offers a pleasingly earthy complement. Bringing natural tones into the space, wood finishes are a versatile design element, easily matching with a range of colours and furnishings to create aesthetically unified living spaces with a distinctly welcoming ambiance.
Concealed Storage
In home décor, less is almost always more. However, while the trend towards clean lines and unobstructed spaces has inspired appealingly streamlined spaces, a well-stocked kitchen can easily become cluttered, compromising even the best design.
Luckily, new kitchens are increasingly being designed with deftly concealed storage, creating functional spaces that maintain a crisp and minimal aesthetic. Doing away with knobs and handles, streamlined storage solutions allow access with a simple push. The emphasis on simplified storage spaces declutters the kitchen on two fronts – tucking away unused cookware and appliances while making the space itself more visually appealing.
Integrated Appliances
As compact urban living spaces become the norm, integrated appliances offer a space-saving and aesthetically sophisticated design solution. Perfectly fitted to the space, built in appliances help maximize usable surface and storage space while doing away with the nooks and cracks that can make kitchens notoriously hard to clean.
A hallmark of high-end kitchen design, integrated appliances create a luxurious ambiance while seamlessly blending in with the cabinetry for a streamlined aesthetic.
Industrial Shelving
Modular and uncomplicated, simplified shelving units offer light and versatile storage solutions with an on-trend industrial simplicity. In open concept homes, kitchen shelving can also serve as a partition wall, separating cooking and living areas into discrete spaces while maintaining a sense of airiness continuity – often making the home appear larger.
Strategic use of materials in these shelves can add significant visual interest, texture and personality, all while serving as an elegant backdrop for an urban dwelling.
[post_title] => Five Design Trends Bringing New Urban Sophistication to Kitchens
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Carrie Mae Weems - Heave
This year’s CONTACT headliner, Carrie Mae Weems, has been deemed America’s greatest living photographer by T: The New York Times Styles Magazine. The 66-year-old, African American MacArthur grant genius has a multipart presence at the festival (the photo above is from Blending the Blues). In her Heave installation, she uses quotidian constructed spaces – the classroom, living room and entertainment complex – to explore “how violence is an ongoing history that pulses through our present.” For instance, one of the rooms presented features a mid-century modern desk furnished with a set of bound books bearing the titles The Prison Industrial Complex, The Battle for Representation, The Skin in the Game, The Corporate State, and Spies, Surveillance, and Cyber Attacks. Hers is an oeuvre that everyone should know. May 4–July 27, Art Museum at the University of Toronto, Justina M. Barnicke Gallery, 7 Hart House Circle
Geoffrey James - Working Spaces | Civic Settings: Jože Plečnik in Ljubljana
In black-and-white images taken with a hand-held camera, Toronto photographer Geoffrey James – the city’s first Photo Laureate – documents the gesamtkunstwerk of Slovenian Jože Plečnik: the transformation of Ljubljana into a city with a great civic energy. As the curators note, “Plečnik excavated the original Roman walls, created new avenues and squares, built an eccentrically ornamented sluice gate that tamed the city’s unruly river, and then went on to create of series of brilliant urban spaces” – with his National and University Library the crowning achievement. May 1–July 12, Daniels Faculty of Architecture, Landscape, and Design, 1 Spadina Crescent
Eliot Wright - Further Along the Road
Eliot Wright spent years photographing Dupont Street, a motley street that is rapidly being developed. It started out as an industrial strip – bounded by the Canadian Pacific Railway to the north – and is now home to a mix of hardware stores, garages, restaurants, galleries and boutiques. With a slate of new condos on the horizon, this eclectic thoroughfare is headed for another overhaul. Although urban landscapes are always in flux, Wright’s photos ask us to consider what might be lost in the frenzy to add density to this area. May 1 - July 31, Urbanspace Gallery, 401 Richmond Street West
Adam Swica – Placeholders
Is that a glacier, a building, perhaps a metal box that the sunlight is angling off? Swica’s voids make you question not only what you are looking at but from where. Might you be inside the vessel being shot through with rays, or outside of it? Studio-constructed and based on celestial coordinates, Swica’s photography offers no fixed sense of place just that wide-eyed, “original sense of wonder”. May 10-Jun 15. Christie Contemporary, 64 Miller Street
Shari Kasman - Memories of Galleria Mall
Toronto’s Galleria Mall has stubbornly refused to keep up with the architectural times. In fact, it feels frozen in Not surprisingly, it’s being swept aside for a colossal mixed-use development. While the city desperately needs more housing, the shopping centre’s role in the neighbourhood shouldn’t be overlooked. As Kasman shows, the mall was a watering hole for the surrounding community, replete with quirky small businesses that will be sorely missed. In the rush for density, are we actually being short changed? May 3-5, Geary Lane, 360 Geary Avenue
Thomas Brasch - Out of the Darkness
The interior of a stained-glass dome, the iris of an exotic creature – Thomas Brasch’s imagery is so curious, otherworldly, foreign, it’s hard to believe that it is indeed based on real-life, close-to-home tragedies. Architecturally based and digitally-manipulated, his abstractions of European and North American cities, including Toronto, are meant to focus the viewer away from the why and the despair of tragedy and toward the power and beauty of resiliency and healing. May 16-Jun 16. Sheldon Rose Gallery, 1710 Avenue Road
Patrick Cummins and Ivaan Kotulsky - ON-FOOT: West Queen West
Local street photographers Cummins and Kotulsky have photographed Queen West for over forty years, capturing its grit and many transformations. This exhibition of photographs - think graffitied walls and smoking teens - is accompanied by journalist and historian Garvia Bailey's insights. Visitors will also be able to download the "ON-FOOT" app, which allows users to take a self-guided tour of Queen Street.
May 20-30, Toronto Media Arts Centre, 32 Lisgar Street
[post_title] => 7 Unmissable Exhibits at the Contact Photography Festival 2019
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[post_content] => Best wishes for the holidays, from all of us at Designlines. We’re taking a short break, but will be back on January 4.
Meanwhile, here’s some year-end reading:
How Downtown Decorates for the Holidays
2015 in Review: Our Most Popular Stories
2015 in Review: Toronto's Best New Design Stores
Design Ideas from 12 Fresh, Real-Life Dining Rooms
[post_title] => Happy Holidays from Designlines
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https://designlinesmagazine.com/toronto-office-towers-christmas-decorations/
https://designlinesmagazine.com/photo-gallery-dining-rooms/
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